References and Resources from Wrestling with Revision Workshop

My mantras

·      Everyone makes mistakes. It’s okay.

·      Your editors/agent/critique partner want you to have the best book possible.

·      Even if the suggestion is wrong, the suggester was still taken out of the story for some reason. Stop and examine. Just in case.

·      If you disagree with an editor’s feedback, offer an alternative solution.

·      Revision is the crucible where we change our book and where our books change us.

·      Mastering revision is not only what gets us published but also what keeps us published.

 

The Lingo

·      Revision/Editing—often used interchangeably, these two terms refer to the general process of making a book better through tinkering with the text

·      Developmental editing—the notes that an editor gives you about the story in general. Often, you are cleaning up timeline problems, tying up loose ends, beefing up a subplot, taking out a subplot, adding more scenes with a character, reducing the role of a character. Sometimes, you’ll be told to add or downplay the romance/mystery/drama/humor/you name it. These are the BIG changes.

·      Copyediting—continuity, grammar, punctuation

·      Proofreading/line edits/page proofs—last pass for typos

·      Redrafting—starting from scratch in a new document

 

Before you write

·      Scrivener

·      Bullet Journal

·      Dedicated spot for all your notes (could be in Scrivener)

·      Blank calendar pages

First Pass (after you let it breathe (Developmental)

·      Print your manuscript

·      Keep a running list of things to change so you can keep reading all the way through

·      Get as many eyeballs as you can

·      Think on GMC

·      Reflect on themes/motifs

·      Look at beginnings and endings, i.e. transitions and hooks

·      See if you can summarize in one sentence

Second Pass (Copyedits)

·      Read aloud and/or use the read aloud function

·      Change the font

·      Break each task into smaller chunks so it doen’t feel as daunting

·      Use the Find and Find/Replace functions…carefully

·      Look for repeated words

Third Pass (Last pass before printing)

·      Pretty much the second pass but take frequent breaks to keep your eyes fresh

 

 

 

Books Used as Resources

 

Living Revision: A Writer’s Craft as Spiritual Practice—Elizabeth Jarrett Andrew

Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts—Matt Bell

The Copyeditor’s Handbook: A Guide for Book Publishing and Corporate Communication—Amy Einsohn

The Elements of Style--Strunk & White (mentioned frequently by writers as a concise fount of grammar knowledge)

Manuscript Makeover: Revision Techniques No Writer Can Afford to Ignore—Elizabeth Lyon

 

Chicago Manual of Style Guidelines QuickStudy Laminated Reference Guide—a handy, compact reference to grammar rules, et al

 

For Funsies:

Dreyer’s English: An Utterly Correct Guide to Clarity and Style—Benjamin Dreyer (great writing advice relayed in a rather entertaining way)

 

Other books I mentioned in this workshop:

GMC: Goals Motivation Conflict—Debra Dixon

Break Into Fiction—Mary Buckham and Dianna Love

Classes

Margie Lawson Deep Edits Lecture Packet

Margie Lawson classes

Reference Links

Writer’s Digest: 7 Strategies for Revising a Novel

Reedsy: How to Revise a Novel

Filter Words

General Grammar

Grammar Tips for Fiction Writers

Writer’s Digest: Grammar Rules for Writers

Fussy Librarian: 9 Important Grammar Rules…

Commas

STLCC Comma Rules

The Write Practice: Commas

Hyphens

Semicolons and Colons

Bullet Journal Info

Scrivener