References and Resources from Wrestling with Revision Workshop
My mantras
· Everyone makes mistakes. It’s okay.
· Your editors/agent/critique partner want you to have the best book possible.
· Even if the suggestion is wrong, the suggester was still taken out of the story for some reason. Stop and examine. Just in case.
· If you disagree with an editor’s feedback, offer an alternative solution.
· Revision is the crucible where we change our book and where our books change us.
· Mastering revision is not only what gets us published but also what keeps us published.
The Lingo
· Revision/Editing—often used interchangeably, these two terms refer to the general process of making a book better through tinkering with the text
· Developmental editing—the notes that an editor gives you about the story in general. Often, you are cleaning up timeline problems, tying up loose ends, beefing up a subplot, taking out a subplot, adding more scenes with a character, reducing the role of a character. Sometimes, you’ll be told to add or downplay the romance/mystery/drama/humor/you name it. These are the BIG changes.
· Copyediting—continuity, grammar, punctuation
· Proofreading/line edits/page proofs—last pass for typos
· Redrafting—starting from scratch in a new document
Before you write
· Scrivener
· Bullet Journal
· Dedicated spot for all your notes (could be in Scrivener)
· Blank calendar pages
First Pass (after you let it breathe (Developmental)
· Print your manuscript
· Keep a running list of things to change so you can keep reading all the way through
· Get as many eyeballs as you can
· Think on GMC
· Reflect on themes/motifs
· Look at beginnings and endings, i.e. transitions and hooks
· See if you can summarize in one sentence
Second Pass (Copyedits)
· Read aloud and/or use the read aloud function
· Change the font
· Break each task into smaller chunks so it doen’t feel as daunting
· Use the Find and Find/Replace functions…carefully
· Look for repeated words
Third Pass (Last pass before printing)
· Pretty much the second pass but take frequent breaks to keep your eyes fresh
Books Used as Resources
Living Revision: A Writer’s Craft as Spiritual Practice—Elizabeth Jarrett Andrew
Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts—Matt Bell
The Copyeditor’s Handbook: A Guide for Book Publishing and Corporate Communication—Amy Einsohn
The Elements of Style--Strunk & White (mentioned frequently by writers as a concise fount of grammar knowledge)
Manuscript Makeover: Revision Techniques No Writer Can Afford to Ignore—Elizabeth Lyon
Chicago Manual of Style Guidelines QuickStudy Laminated Reference Guide—a handy, compact reference to grammar rules, et al
For Funsies:
Dreyer’s English: An Utterly Correct Guide to Clarity and Style—Benjamin Dreyer (great writing advice relayed in a rather entertaining way)
Other books I mentioned in this workshop:
GMC: Goals Motivation Conflict—Debra Dixon
Break Into Fiction—Mary Buckham and Dianna Love
Classes
Margie Lawson Deep Edits Lecture Packet
Reference Links
Writer’s Digest: 7 Strategies for Revising a Novel
General Grammar
Grammar Tips for Fiction Writers
Writer’s Digest: Grammar Rules for Writers
Fussy Librarian: 9 Important Grammar Rules…
Commas
Semicolons and Colons